There were a couple exceptions to that calmer approach, but for the most part these songs are right up that line of thought:

1	Juarez	Better Than Ezra	4:27
2	Cedars Of Lebanon	U2	4:13
3	Dirty Little Secret (Thievery Corporation Mix)	Sarah McLachlan	3:58
4	Something About Us	Daft Punk	2:14
5	(Bonus Track)	Cornershop	3:16
6	Edit	Regina Spektor	4:54
7	Put It Back Together	Fatboy Slim	4:37
8	Seven Nation Army	The White Stripes	3:50
9	Wish Coin (Go It Alone) [Diplo Remix]	Beck	3:46
10	Nothing Fails	Madonna	4:49
11	Clint Eastwood (Ed Case/Sweetie Irie Refix)	Gorillaz	4:28
12	Stoop Kid	Soul Hooligan	3:28
13	Whatever Lola Wants (Gotan Project Remix)	Sarah Vaughan	4:40
14	Candlebum	Dishwalla	4:02
15	Back At Your Door	Maroon 5	3:47
16	Angels	Norah Jones & Wax Poetic	4:06
17	Angel	Jack Johnson	3:31
18	Matches (Acoustic)	The Format	2:04
19	If I Fell	Evan Rachel Wood	2:37
20	Selfless, Cold and Composed	The Sacramento State Jazz Singers	6:24

(the unfolded front cover) Since this album was more theme-centric than amorous, I'm happy to explain a bit about the music. When I think of a lounge, in my mind I see a 60's or early 80's scene, with washed out colors and design typical of the era. I tried, but don't know if I nailed that quite perfectly with this approach. The folded front of the album up top obviously lets the letters bleed quite a bit. The entire album was based on the first track, which is unfortunately not available on any online store I can find. It is, however, available on YouTube to listen to. I originally had this song, followed by Drugs or Me (Styrofoam Remix) by Jimmy Eat World, but remembered that song was actually on the G2 20070323 album (so not a candidate for this G2). A lot of the tracks are songs that I enjoy, but other people might not. Some are clearly not in the same style as the rest of the album, and others are questionable in taste. The refix/remix of Clint Eastwood (track 11) is easily the standout tempo-wise, but somehow I think it works. I'm pleased with the overall combination of songs.

(the back cover) The album's artwork came together really well. - Chunk was the typeface this go-around. Not only did it serve as the typeface, but as some of the inspiration to the layout. - I actually got the colors off of a layout for the Amputa Bangiz typeface - not a typeface I'm likely to use today, but the colors worked well (I found both this, and Chunk referenced in a recent Smashing Magazine article). - No, the giant dots don't perfectly flow around the bottom of the album. You'll just have to deal with that, since I wasn't trying. - A little bonus bit: instead of the usual song/artist separator of - I went for :. Lots of circles and dots on this one. No matter the reasoning, or excessive design babble, I hope you enjoy it, but I hope Maria enjoys it more. You still need to make a mix. Start.